• Whom Can We Require to Look Normal?

    By İlker Ortaç When we look at a body, we cannot see beyond the idea of normality imposed on us by society. When looking at that body, we keep looking for such things as proportion, symmetry, physical soundness, youth and productivity. As a disabled artist, I can do this too. But this is a reality…

  • Iris van Herpen stands beside a mannequin wearing her transparent water dress, its clear forms splashing around the body

    When Are We Going to Stop Deintellectualising Fashion?

    Nicole M. Mayer argues that fashion is too often reduced to shopping and excess, and reads three collections by Rahul Mishra, Iris van Herpen and Matthieu Blazy for Chanel as intellectual work.

  • Portraits (2026) by Ryan Blackwell showing recovered objects from the River Thames foreshore

    Ryan Blackwell: Lost & Found – Transforming London's Discarded Objects at The Koppel Project

    Ahead of the opening of Lost & Found at ANNEX, The Koppel Project, photographer Ryan Blackwell speaks with Maria Bregman about mudlarking on the Thames, an archive of 100 discarded mattresses, and redirecting the visual language of luxury still life.

  • Kimi Zoet: What Is Wild? at Silian Gallery

    Kimi Zoet: What Is Wild? Opens at Silian Gallery, London

    Dutch artist Kimi Zoet presents What Is Wild? at Silian Gallery on King's Road, bringing together large-scale paintings created outdoors in rewilding landscapes with experimental studio works.

  • How to Understand Film Colour Grading – What the Grade Does and How to Read It

    Film colour grading is the stage of post-production where a colourist and the cinematographer adjust the colour, brightness and contrast of every shot, first so that shots match and then so that the whole film carries a deliberate look. To understand it as a viewer, watch four things: which colours dominate the frame, how deep…

  • Whom Can We Require to Look Normal?

    Whom Can We Require to Look Normal?

    By İlker Ortaç When we look at a body, we cannot see beyond the idea of normality imposed on us by society. When looking at that body, we keep looking for such things as proportion, symmetry, physical soundness, youth and productivity. As a disabled artist, I can do this too. But this is a reality imposed on us by society. Starting from this reality does not mean we can conclude that it is right. Even while writing this piece, I find myself facing contradictions within myself. I am writing these words to you today because I believe art can help…

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Maria Bregman

Conributor

Anna Zhila

Contributor

Michael Mittelman

Editor

Yulia Tulegenova

Contributor

  • Whom Can We Require to Look Normal?

    Whom Can We Require to Look Normal?

    By İlker Ortaç When we look at a body, we cannot see beyond the idea of normality imposed on us by society. When looking at that body, we keep looking for such things as proportion, symmetry, physical soundness, youth and productivity. As a disabled artist, I can do this too. But this is a reality imposed on us by society. Starting from this reality does not mean we can conclude…

    ,
  • When Are We Going to Stop Deintellectualising Fashion?

    When Are We Going to Stop Deintellectualising Fashion?

    Nicole M. Mayer argues that fashion is too often reduced to shopping and excess, and reads three collections by Rahul Mishra, Iris van Herpen and Matthieu Blazy for Chanel as intellectual work.

  • Ryan Blackwell: Lost & Found – Transforming London's Discarded Objects at The Koppel Project

    Ryan Blackwell: Lost & Found – Transforming London's Discarded Objects at The Koppel Project

    Ahead of the opening of Lost & Found at ANNEX, The Koppel Project, photographer Ryan Blackwell speaks with Maria Bregman about mudlarking on the Thames, an archive of 100 discarded mattresses, and redirecting the visual language of luxury still life.

    ,
  • Kimi Zoet: What Is Wild? Opens at Silian Gallery, London

    Kimi Zoet: What Is Wild? Opens at Silian Gallery, London

    Dutch artist Kimi Zoet presents What Is Wild? at Silian Gallery on King's Road, bringing together large-scale paintings created outdoors in rewilding landscapes with experimental studio works.

    ,