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When Are We Going to Stop Deintellectualising Fashion?
Nicole M. Mayer argues that fashion is too often reduced to shopping and excess, and reads three collections by Rahul Mishra, Iris van Herpen and Matthieu Blazy for Chanel as intellectual work.
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Ryan Blackwell: Lost & Found – Transforming London's Discarded Objects at The Koppel Project
Ahead of the opening of Lost & Found at ANNEX, The Koppel Project, photographer Ryan Blackwell speaks with Maria Bregman about mudlarking on the Thames, an archive of 100 discarded mattresses, and redirecting the visual language of luxury still life.
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Kimi Zoet: What Is Wild? Opens at Silian Gallery, London
Dutch artist Kimi Zoet presents What Is Wild? at Silian Gallery on King's Road, bringing together large-scale paintings created outdoors in rewilding landscapes with experimental studio works.
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How to Understand Film Colour Grading – What the Grade Does and How to Read It
Film colour grading is the stage of post-production where a colourist and the cinematographer adjust the colour, brightness and contrast of every shot, first so that shots match and then so that the whole film carries a deliberate look. To understand it as a viewer, watch four things: which colours dominate the frame, how deep…
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The $500 Million Question: What India's Ramayana Blockbuster Is Really Testing
"Ramayana: Rise of a Legend" opened in cinemas on Thursday, days before Diwali, and took more than $55 million worldwide over its opening weekend, including $12.2 million in the United States. Part on
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How to Review an Album – A Critic's Working Method
To review an album, listen to the whole record several times in the order the artist chose, take notes tied to specific tracks and moments, then write a judgement that a reader can test against the music. The best reviews describe what the record sounds like, explain what it is trying to do, and say…
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We All Begin. Why Don’t We All Continue?
On the first thing we see, the pleasure of recognition, and the decision to keep going.
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Literature by Letter - How Verse & Sip Revived Epistolary Publishing in the Digital Age
There is an unmistakable quiet that accompanies the breaking of a wax seal. Before the paper unfolds, before the first line of prose or verse meets the eye, the reader is required to pause, to feel the weight of hand-creased parchment, and to enter an intimate space that modern digital feeds have spent two decades…
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What Is Literary Translation? How Books Cross Languages, and Who Makes Them
Literary translation is the rewriting of a novel, poem, play or other creative work from one language into another so that it works as literature in its new language, keeping its voice, rhythm, humour and effect as well as its meaning. The translator is a writer in their own right: in the UK they are…
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When Are We Going to Stop Deintellectualising Fashion?
Nicole M. Mayer argues that fashion is too often reduced to shopping and excess, and reads three collections by Rahul Mishra, Iris van Herpen and Matthieu Blazy for Chanel as intellectual work.
Maria Bregman
Conributor
Anna Zhila
Contributor
Michael Mittelman
Editor
Yulia Tulegenova
Contributor
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See all: When Are We Going to Stop Deintellectualising Fashion?-
When Are We Going to Stop Deintellectualising Fashion?
Nicole M. Mayer argues that fashion is too often reduced to shopping and excess, and reads three collections by Rahul Mishra, Iris van Herpen and Matthieu Blazy for Chanel as intellectual work.
-
Ryan Blackwell: Lost & Found – Transforming London's Discarded Objects at The Koppel Project
Ahead of the opening of Lost & Found at ANNEX, The Koppel Project, photographer Ryan Blackwell speaks with Maria Bregman about mudlarking on the Thames, an archive of 100 discarded mattresses, and redirecting the visual language of luxury still life.
-
Kimi Zoet: What Is Wild? Opens at Silian Gallery, London
Dutch artist Kimi Zoet presents What Is Wild? at Silian Gallery on King's Road, bringing together large-scale paintings created outdoors in rewilding landscapes with experimental studio works.
-
How to Understand Film Colour Grading – What the Grade Does and How to Read It
Film colour grading is the stage of post-production where a colourist and the cinematographer adjust the colour, brightness and contrast of every shot, first so that shots match and then so that the whole film carries a deliberate look. To understand it as a viewer, watch four things: which colours dominate the frame, how deep the blacks go, how skin is rendered, and how all three change as the story…