Art
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Anna Air and the Red Square
By Maria Bregman, writer, literary and art critic and curator. She has written for Cosmopolitan, Glamour, ELLE and Esquire, curated solo exhibitions of Zurab Tsereteli, presented on CultFM, organised
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Frieze Sculpture 2026 - Eleven Works in the English Gardens
Frieze Sculpture opened on 16 September 2026 and runs to 1 November in the English Gardens of The Regent's Park. Entry is free, the gates are the park gates, and the exhibition stays open for seven we
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Fashion as a Visual Object at London Fashion Week 2026
London Fashion Week opens on 17 September 2026 and runs to the 21st, with collections for spring and summer 2027. Read as an art calendar rather than a trade one, this season is unusually direct about
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How to Find an Art Critic - Who Commissions Reviews, Art Critics, and How to Approach One
Galleries, museums, brands and artists all end up asking how to find an art critic. What criticism actually changes, how to approach a writer without wasting the chance, and a starting list of critics in London, New York, Paris, Berlin and Los Angeles.
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The Skull, the Bubble and the Guttering Candle - How to Read a Dutch Vanitas Still Life
A skull grins out of the shadows. A candle sends up its last thread of smoke. A glass lies on its side with the wine long gone. To a prosperous household in seventeenth-century Holland, a picture like
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The Gallery That Invented the Gallery - Dulwich, John Soane and a King's Lost Collection
Before Dulwich, looking at great paintings in England usually required an introduction, a private appointment, or the luck of being born into the right family. Pictures lived in country houses and tow
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An Indian Museum Has Taken Over Christie's, and It Is Not Selling Anything
Christie's King Street is showing The Meeting Ground: Scenes from the KNMA Collection until 21 August, and the unusual thing about it is the price list. There isn't one. The Kiran Nadar Museum of Art,
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Why the Virgin Wears Blue - Ultramarine, Lapis Lazuli and the Economics of Colour
Stand in front of almost any altarpiece painted between about 1300 and 1600 and the eye travels straight to the Virgin. Part of that is composition. A surprising amount of it is chemistry. Her mantle
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The Bayeux Tapestry Is Coming to Bloomsbury, and the Autumn Is Already Gone
Tickets for the Bayeux Tapestry at the British Museum went on sale on 1 July, and the first tranche, covering September to December, has already sold out. If you were planning to see it before Christm
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The Library That Fled - How the Warburg Institute Carried Cultural Memory Out of Nazi Germany
In December 1933 two small steamers slipped down the Elbe carrying the intellectual cargo of a vanishing Germany. Aboard the Hermia and the Jessica were 531 boxes holding some 60,000 books and 25,000
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What a Comic Shop Is Worth When the Money Stops
A collection is only valuable while somebody agrees to value it. That agreement is usually invisible, held in place by auction records and insurance schedules. Stuart Fails to Save the Universe, the H
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Anselm Kiefer at 80 - Lead, Ash and the Art of Memory
Few artists have built a career out of things designed to fall apart. Anselm Kiefer, who turned 80 in March 2025, makes paintings from lead, ash, straw and dried flowers, materials chosen precisely be
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The Anatomy Lesson, from Rembrandt to Body Worlds
On the death of Gunther von Hagens, and the four-century-old genre he brought back. Cover: Rembrandt, The Anatomy Lesson of Dr Nicolaes Tulp (1632), Mauritshuis. Public domain.
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Olga Khokhlova and Picasso: The Dancer Who Made Him Classical
For a few years after the First World War, the most radical painter alive made pictures a Salon jury might have hung without blinking. Pablo Picasso, co-author of Cubism, spent the early 1920s drawing
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The Lamb, the Lily and the Skull - A Reader's Guide to Christian Symbols in Western Art
Stand in front of Jan van Eyck's Ghent Altarpiece and you are looking at a picture its first audience could read like a page of text. A lamb stands on an altar, bleeding from a wound in its breast int



